 |
|
 |

|
Capturing the flavor of Brazil's carnival musical atmosphere, this sample library features
the main drums of the Brazilian Samba Baterias (samba percussion ensembles). It includes more than 2000 samples (1.4GB) of
Rio's vibrant, exciting drumming, are so full of spirit and color they will send shivers down your spine.
To record
the drum samples on Carnival Drum Grooves, Zero G gathered together 10 professional Brazilian percussionists who play each
year at the Rio Carnival and recorded them in a state-of-the-art studio using close-mics, stereo overheads, and distant stereo
room mics to bottle the pure exhilaration of the performances. Because each of the 10 drummers played the same drum and rhythm
in unison, mixed loops with 6 different drum parts can have the sound and force of 60 carnival drummers.
With over
1400 loops in four different mic positions, this sample collection consists of both loops (Rex2, Acidized Wavs & AIFF Apple
Loops) and multi-layered sample hits (EXS 24, Halion, Kontakt & NN-XT). You can expertly blend the two with your own keyboard
or pad-triggered patterns because the loops and hits are from the same drums, players, mics, mixes and venue. The baterias
are the very essence of what makes the Carnival and its music so exciting, but outside of Rio the organization of the bateria
and how it works was a mystery, until now.
The Drums
This sample collection presents the
main drums of the Brazilian Samba Baterias as developed in the Samba Schools of Rio De Janeiro in the early 20th century.
The same ones still used to great effect at the Rio Carnival every summer.
They include:
Surdo de Primeira: This
is the largest surdo (bass drum), the one that gives the crucial marcação [the second, stronger beat] to the
samba - it's the base of the rhythm. The Surdo de Primeira is the drum that provides the primary beat that the listener concentrates
on. The singers are guided by this surdo. In general, there is a surdo de primeira right next to the principal singers as
a guide. It has a lower tone and a stronger tuning than the Surdos de Resposta (the responding bass drums, second and third
surdos).
Surdo de Segunda: This is the response to the surdo de primeira. It sustains the samba rhythm while the Surdo
de Primeira is at rest and is its counterpoint. It is the middle-pitched Surdo Drum.
Surdo de Corte (Surdo de Terceira):
A type of tuned floor-tom played with the hands, the highest of the three surdos. It chimes in between the other two (a little
before the Surdo de Segunda). It gives a special interest to the cadence, breaking through the rigidity of the other two surdos
and it gives a swing to the rhythm. Although played fairly softly to create a pure note, together, the Surdos drive the Samba
like a bassline.
Caixa: Pronounced 'kay-sha', a type of snare drum worn on a shoulder strap. Played in large ensembles,
Caixa rolls blend together in a shuffling wall of energetic white noise. This is what gives character to the samba. Only through
the sound of the Caixa can you really identify a certain school. It's always played with two sticks, and has two cords [snares]
across the drumhead that gives it a different kind of tone. It sets the tempo, but allows flourishes that can't happen in
the surdos. The way you play the Caixa also varies from school to school. In some, the player puts the drum at waist level,
playing with two hands. Others place the Caixa higher, using one hand as a support leaving the other free.
Repinique:
Pronounced 'repineeki'. A two-headed tuned metal drum worn on a shoulder strap, played with either two sticks, or one stick,
and a hand. The sound is like a very high-pitched timbale.
Tamborim: A small, high-tuned handheld drum with a very
short, tight sound. In samba it is played with a bundle of nylon rods and is rapidly flipped around to create ghost notes.
The slight natural timing differences between players give an impression of intense claps or rattles. The tamborims give the
punch and the shape to the samba.
Agogô: A hand-held two-bell instrument similar to a cowbell and played with
a stick.
Timbal: A large floor-standing conical drum which is a bit like a conga but with a more deep and forceful
sound. Played with the hands, it can produce a variety of sounds from a deep, well-defined thud to a high, resounding hit.
Pandeiro:
A large, deep tambourine played with the hand.
The Recording
All the rhythms were recorded
in a modern theatre with excellent, lively acoustics thanks to polished wooden floors and huge adjustable acoustic curtains.
Each drum was closed-miked with stereo overheads, with distant stereo room mics used to capture the ambience.
The
Rhythms
Despite the variety, the collection is built on 12 core rhythms. There are three slower patterns with
a laid back groove: Samba Reggae, Maxixe, and Samba Rock all typical of Salvador, and Bahia from NE Brazil. The others are
all faster and typical of Rio de Janeiro: Ax<33 HC eacute ##>, Samba Um, Dragões, Samba Dois, Samba Torcida Break Um,
Samba Torcida Break Dois, Samba Tres, Samba Quatro, and Samba Torcida Break Tres.
The "Torcida" here means something like
"audience participation" and so these "Torcida Breaks" are the moment in the carnival that the rhythm breaks down and draws
the audience to cheer and clap along.
The Loops
For maximum usability, the loops have been
organized several ways there are loops with only individual drum parts (e.g. Caixa-only loops) and there are ensemble performances
with all parts of the Samba drum orchestra playing together. There are also recordings from different mic positions (close,
overhead, and room) where you can choose one or create your own mixes by stacking up the different mic channel loops of the
same rhythm in your sequencer and making your own mix. And, if you don't need this level of detail, there is also a whole
set of ready-to-go percussion ensemble mixes.
Sampler Hits
There are two programs to load
into your sampler Samba Big and Samba Dry. Samba Big has 10 drummers on every hit, with the sound mixed from all three mic
positions, resulting in a big, exciting sound. Samba Dry has 2 drummers on every hit recorded on close mics only which results
in an intimate, dry sound.
Using this collection
You can use this library in several ways.
Quickly drop the ready-to-go mixed loops straight in, or you can go through different mic channels to find the ideal sound.
Or, if you choose to delve deeper, you can mix multiple mic positions to get an ideal blend. If you do follow this route,
the close mics have a small, dry, and intimate sound when used on their own. Added to other mic channels, they add attack
and immediacy. The overheads have a powerful sound, a clearly defined attack with a sense of space. Meanwhile, the room mics
make a big distant rumble that sounds odd alone, but adds an extra-wide dimension when mixed with the other mics, like adding
reverb but more realistic than even the best convolution impulse.
Using the multi-layered hits, you can step-program
your own beats or trigger them live from a keyboard or pads. And, by using both loops and hits together you can combine the
realism of the loop performances with the flexibility of programmed beats.
Zero
G Carnival Drums Grooves Samples Collection Specifications:
- System
Requirements
- DVD-ROM drive
Available versions of sounds
- Multiformat
Version
- REX2
- NNXT (for REASON)
- NI Kontakt
- HALion
- EXS 24
- Apple Loops
- AIFF
- ACID
- WAV
Zero G Carnival Drums Grooves Samples Collection Features:
- More than 2,000 (1.4GB) samples Brazil's carnival sounds
- Professional Brazilian
percussionists were recorded in a state-of-the-art studio
- 1,400 loops in four different mic positions
- Drums featured are: Surdo de Primeira, Surdo de Segunda, Surdo de Corte, Caixa, Repinique, Tamborim, Agogô,
Timbal, and Pandeiro
- Consists of both loops (Rex2, Acidized Wavs & AIFF Apple Loops) and multi-layered
sample hits (EXS 24, Halion, Kontakt & NN-XT)
- Since loops and hits are from same instruments, players,
mic, etc. they can be blended perfectly using keyboard or pad-triggered patterns
Become
a virtual member of Rio's Samba Bateria, and create your own festival pieces. Order today!
Customers who
shopped for the Zero G Carnival Drums Grooves Samples Collection ultimately bought:
|
|
 |
|