Makes amplified acoustic instruments sound more natural.
3-band recording-console-quality
EQ with sweepable mid and low frequency notch filter. Phase reversal, ground lift, line level out, dedicated tuner out, TRS
effects loop, and even a pre/post switchable DI output with pad make this a true studio-quality device that shines onstage.
Hardwire bypass, non-slip rubber bottom, included 12V power supply.
The BBE Process-"What it Is"
Loudspeakers
have difficulty working with the electronic signals supplied by an amplifier. These difficulties cause such major phase and
amplitude distortion that the sound reproduced by the speaker differs significantly from the sound produced by the original
source.
In the past, these problems proved unsolvable and were thus relegated to a position of secondary importance in
audio system design. However, phase and amplitude integrity is essential to accurate sound reproduction. Research shows that
the information which the listener translates into the recognizable characteristics of a live performance are intimately tied
into complex time and amplitude relationships between the fundamental and harmonic components of a given musical note or sound.
These relationships define a sound's "sound".
When these complex relationships pass through a speaker, the proper order
is lost. The higher frequencies are delayed. A lower frequency may reach the listener's ear first or perhaps simultaneously
with that of a higher frequency. In some cases, the fundamental components may be so time-shifted that they reach the listener's
ear ahead of some or all of the harmonic components.
This change in the phase and amplitude relationship on the harmonic
and fundamental frequencies is technically called "envelope distortion." The listener perceives this loss of sound integrity
in the reproduced sound as "muddy" and "smeared." In the extreme, it can become difficult to tell the difference between musical
instruments, for example, an oboe and a clarinet.
BBE Sound, Inc. conducted extensive studies of numerous speaker systems
over a ten year period. With this knowledge, it became possible to identify the characteristics of an ideal speaker and to
distill the corrections necessary to return the fundamental and harmonic frequency structures to their correct order. While
there are differences among various speaker designs in the magnitude of their correction, the overall pattern of correction
needed is remarkably consistent.
The BBE Process is so unique that 42 patents have been awarded by the U.S. Patent Office.
BBE Acoustimax Sonic Maximizer/Preamp Pedal Specifications:
- Frequency Response: 50Hz - 20kHz
- Treble: +/-12dB @ 10kHz
- Mid:
+/-12dB @ 400Hz - 2.5kHz
- Bass: +/-12dB @ 60Hz
- Notch: 0 to -12dB @ 70Hz - 250kHz
- BBE: Lo Contour +15dB @ 50Hz
- Process: +15dB @ 10kHz
- Noise: Instrument
Jack -98dBv (unity gain)
- Line Out: -88dBv (+10dB gain)
- Max Output: +10dBu @ Instrument
Jack
- THD: 0.05% at 1kHz
- Impedances: Input 2.2 MEG Ohm
- Tuner Out:
2K Ohm
- Line Out: 1K Ohm
- Instrument Out: 2K Ohm
- XLR Out: 600 Ohm
- Power Requirements: DC inlet +12VAC min. 200ma
BBE
Acoustimax Sonic Maximizer/Preamp Pedal Features:
- 3-band EQ with sweepable
mid LF notch filter
- Phase reversal
- Ground lift
- Line level out
- Dedicated tuner out
- TRS effects loop
- Pre/post switchable DI output with
pad
- Hardwire bypass
- Non-slip rubber bottom
- 12V power supply
This thing will make more difference in your sound than you can
possibly imagine. Order today and be amazed.
Customers
who shopped for the BBE Acoustimax Sonic Maximizer/Preamp Pedal ultimately bought: