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Four complete processors combined into one amazing, all-encompassing master channel strip.
The Summit Audio ECS-410 Everest Configurable Tube Channel Strip takes 4 of the most intense, flavorful
audio processing blocks and fuses them into 1 master channel strip. A distinctly different four-section analog processor and
mic preamp, the ECS-410 Everest is ideal for tracking, recording, and processing. With its own fully balanced IO, each section
is completely independent or can be internally routed together via TouchPatch, a unique and amazingly intuitive routing section.
Flexibility?
The ECS-410 Everest excels in all regards. Since each section has it's own I/O (and in some cases, multiple I/O),
each section can be wired to your patchbay for individual use. Each section can also be routed internally with the TouchPatch
one-touch routing section while the outputs of each section remain active. For example, route the ECS-410 Everest from the
Mz2 Preamp, to the Dc1 Compressor, to the Fe1 EQ, to the Db2 Drive Bus. Plug your microphone into the preamp section and adjust
the gain and processing sections so you get what you want out of the main XLR output. The Mz2 preamp's output is still active,
sending an unprocessed output from the mic. The Dc1's output is still active, sending the compressed and amplified signal
out. The Fe1's output is active as well, sending the amplified, compressed, and EQed signal out it's individual output. Add
to this the -10dB TRS outputs on both the Mz2 and Db2, and with one microphone you can get six outputs, all at different stages
of the processing!
Looking for flavor?
Looking for pristine quiet and precision? ECS-410 Everest has it all. Put the Mz2 into tube mode, drive the Dc2
compressor in Tight mode, use the Fe1 EQ to tone and shape, drive the Db1 drive bus into tube or transistor overdrive and
shape your sound into shapes and sizes never before heard. Put the Mz2 into solid-state mode, bypass the Db2, and you have
an incredibly quiet, precise, open preamp, free of artifacts with very low THD and noise —and all points in between.
Design
Philosophy:
Summit Audio's design philosophy with the ECS-410 Everest is a no-compromise, high-value approach to every step of the design
and manufacturing process. From the choice of thru-hole parts for high reliability and easy repairs, to using gold plated
circuit boards, Summit Audio has crafted the ECS-410 Everest for a lifetime of use. The modular design of the ECS-410 Everest
makes service and updating extremely simple, as well as giving great separation for each section, with direct power, audio,
and ground connections. Each card has double-redundant contacts to the main board, using actual wire —not failure-prone
ribbon cables. All contacts from the cards to the front-panel controls use three-finger contacts, the most reliable and solid
connections available. The inputs and outputs are all fully balanced and use high-end connectors in all cases. The steel chassis
is very strong and offers excellent shielding with a highly durable coating for a lifetime of use with a minimum of evidence
of wear. And most importantly, each section is laid out by hand, so trace routing is the result of experience and testing,
not the accidental routing coming from a computer generated auto-route feature. Attention to details like this truly make
the ECS-410 Everest stand above.
Mz2- Microphone and Instrument Preamplifier
At the far left of the ECS-410 stands the Mz2 microphone and instrument preamplifier. The culmination of Summit Audio's
many years of experience making preamps, the Mz2 is made for tone and sweetness with no sacrifice in noise or distortion specs
—the perfect blend of fidelity and flavor. The design in the Mz2 starts with a discrete, matched and hand tested transistor
stage. Next is an interstage, bypassable 12AX7A vacuum tube, getting full plate voltage (185V). Following that is an interstage
Jensen transformer, which is the best location for a transformerm since feeding it with high level provides the best sound,
isolation, and noise immunity.
When you plug an instrument into the Hi-Z in, it goes directly to the tube, then to
the transformer (not to an op amp), instantly lending tone and life to your bass, guitar, or other instruments. Controls include
sweepable gain with a top-of-the line potentiometer offering 10X the rotational life of most other pots; 10 segment LED metering;
super clean +48VDC phantom power (see power supply); -20dB pad; switchable polarity; 60Hz high-pass filter; and tube/solid
state switch. I/O includes XLR mic in, front panel 1/4" Hi-Z in, balanced XLR line level out, 1/4" Insert, plus balanced 1/4"
-10dB out (great for using the ECS-410 as the front end to your bass or guitar rig).
Fe1- Passive Three-Band
Equalizer
Standing at the top of ECS-410 Everest is the Fe1 passive three-band EQ. Summit chose to design a passive EQ circuit for the
distinct sound, warmth, and great phase coherence that come from passive LC circuits. Based on the incredible FeQ-50 passive
EQ, the Fe1 is a flavor enhancer, perfect for sculpting your sound as you record, and adding a distinctive touch when mixing.
This passive EQ features a custom LF inductor with all inductors shielded against EMI; high-quality film capacitors; four
transistor buffers; and a very minimal signal path. Each of the three bands has six selectable frequencies using sealed, gold-flash
switches with sweepable 12dB boost or cut, on the highest-end center-detent potentiometers. The low and high bands are also
switchable between shelving and peaking filters. Master straight-wire bypass included. I/O includes balanced XLR in and XLR
out.
Dc1- Dual-Mode Dynamics Control
Summit Audio's 20+ years of compression tradition is well represented in the Dc1 compressor. Utilizing a discrete transistor
attenuator design, the Dc1 has that sweet program-compensated and user-directed timing that Summit Audio is famous for—making
for a very musical and satisfying compression experience. The Dc1 is VERY low-noise, even under hard compression, and is fully
temperature-compensated to avoid any thermal drift. Along with the make-up gain, threshold, attack, and release controls (on
top-of-the-line potentiometers), the Dc1 adds a mode switch for choosing "Classic" or "Tight" compression modes. Classic is
the smooth, signal-dependent compression you're used to hearing from Summit Audio. It is clean, smooth, easy, and musical.
Tight mode tightens the reigns, allowing for a much higher compression ratio, clamping the signal and controlling those peaks
while still maintaining the integrity of the sound. Standing to the left is the accurate and easy-to-read 10-segment gain
reduction meter showing 1 1/2dB steps. It also includes master straight-wire bypass and stereo link mode (for linking with
another ECS-410 Everest). I/O includes balanced XLR in and out, 1/4" stereo link jack, and 1/4" sidechain insert.
Db2-
Drive Bus Master Output and Drive Section
One of the truly unique features of ECS-410 Everest is the Db2 drive bus. More than just a master output section,
Db2 has multiple gain stages for overdriving either in vacuum tube, or discrete transistor mode, each with a totally unique
and variable sound. With dual 12AX7A vacuum tubes, the Db2 use both a triple triode, zero-feedback vacuum tube and high-voltage
transistor approach with real class A power, offering anything from clean and linear, to fully driven and saturated, and anything
in between. Need very low distortion and lots of extra gain? Turn the output up all the way and use the drive gain to get
the level you need. Want to add overdrive to a signal? Turn the output gain down and use the drive gain to get the amount
of drive you need. Tube or transistor, each has a unique and distinct sound. Want the ultimate it quiet and low distortion?
Bypass the whole section. Also included is a calibratable analog VU meter for true output level metering. I/O includes balanced
XLR, plus 1/4" TRS -10dB out (great for using the ECS-410 as the front end to your bass or guitar rig).
Routing
Section—
Unique to ECS-410 Everest is the TouchPatch master routing section. With the touch of a single button, you can route any section
to and from any other section. These are no MOS switches—no audio routed to the front panel for the switching —it
remains close to the signal path so no audio runs around the interior where it can lose fidelity from high-voltage or other
noise-generating fields. Gold-flash, double-contact relays are used, and no computer or microprocessor makes noise inside
the unit. Need to route the preamp to the compressor, to the EQ, to the drive bus? One button. Need to pull the EQ out of
the chain? One button. Want the EQ before the compressor? One button. Choose one of any 10 routing schemes in the most intuitive
and flexible routing section ever offered. And remember, each section has it's own independent input and output, so any one
not routed is still fully operational on its own.
Power Supplies
ECS-410 Everest utilizes two separate power supplies. For all audio, a discrete linear supply is used, featuring fully regulated
and double isolated B+ with discrete, regulated and triple LC-filtered +48VDC phantom power for absolute purity when powering
your mics. A separate power supply supplies power for all metering and control, keeping any possible noise generating components
fully isolated.
The ECS-410 Everest offer great sound, the most flexible and easy-to-use routing scheme, and a huge
array of inputs and outputs in a beautifully crafted 2RU steel chassis.
Summit Audio ECS-410 Everest Configurable tube channel strip Features:
- Mz2 tube or solid state mic preamplifier
- +48VDC phantom power, polarity switch, HPF, pad, 10-segment LED meter
- Fe1 passive 3 band equalizer
- Switch selectable frequencies, +/-12dB per band, peaking/shelving, bypass
- Dc1 dual mode dynamics, "Tight" and "Classic" compression modes
- Sweepable gain, threshold, attack, release, bypass, stereo linking with 2 units, 10 segment LED meter
- Db1 DriveBus output, variable drive and output
- Tube/Solid State/Bypass, VU meter
- TouchPatch routing- 10 routing schemes at the touch of a button
- Each section has independent I/O
- Three 12AX7A/ECC83 vacuum tubes (one Mz2, two Db1)
- 4 complete units in one
- 3 Year Warranty
- Four XLR inputs, four XLR outputs, two 1/4" TRS outputs, side chain, stereo link, insert
This four-section analog processor and microphone preamp is ideal for tracking and processing
your most important tracks.
Summit Audio ECS-410 Everest Configurable tube channel strip Specifications:
- Mz2- Microphone Preamplifier
- Max gain: +60dB (plus 20dB when routed through the Db2 drive bus output)
- THD+N (@ +30dB): 0.008% (A weighted), 0.01% (unweighted)
- Max Out: +25dB
- Frequency Response: Solid State 10Hz-200kHz +/- 3dB; 15Hz-120K +/-0.5dB
- Tube 15Hz-159K +/-3dB, 0Hz-65Hz +/- 0.5dB
- Input impedance: 2K ohms
- Type: Switchable tube (12AX7A) or discrete transistor
- HPF: 60Hz, 6dB/8va
- Metering: 10 segment LED
- Phantom Power +48VDC
- Pad: -20dB
- Polarity: 0 or 180 degrees
- IO: Balanced XLR mic in, front panel 1/4" Hi-Z in, balanced XLR +4dB (nominal) out, 1/4" TRS -10dB (nominal)
- Fe1- Passive 3 Band Equalizer
- THD+N (@+4dB, no cut or boost): (A weighted) 0.009%, (unweighted) 0.025%
- Frequency Response: 5Hz- 100kHz +/-0.5dB , 5Hz- >200kHz +/-3dB
- Frequencies
- Low 33, 60, 100, 150, 270, 390HZ (peak or shelf)
- Mid 560, 630, 1K, 1.6K, 2.5K, 3.3K Hz
- High 5K, 7.2K, 8.2K, 10K, 12.5K, 16K Hz (peak or shelf)
- Cut/Boost: +/- 12dB per band
- Low shelf: 6dB/8va, peaking bandwidth 2 octaves
- Mid peaking bandwidth: 2 octaves
- High shelf: 6dB/8va, peaking bandwidth 2 octaves
- IO: balanced XLR +4dB in and out
- Dc1- Dual Mode Compressor
- THD+N:
- (@+4dB, with no compression but through gain cell)
- 0.025% (A weighted), 0.041% (unweighted)
- (with 6dB compression)
- 0.013% (A weighted), 0.013% (unweighted)
- Frequency Response: 5dB >200kHz +/- 3dB, 5Hz-136kHz +/-0.5dB
- Gain: -4dB to +10dB
- Attack: variable from
- Release: variable from
- Ratio: Classic Tight
- Metering: 10 segment LED for gain reduction
- IO: Balanced XLR +4dB in and out, 1/4" side chain, 1/4" stereo link
Db2- Drive Bus Master Output and Overdrive
- THD+N (@+4dB, no cut or boost):
- Bypass: 0.002% (A weighted), 0.008% (unweighted)
- Tube: 0.3% to overdrive (unweighted)
- Solid State: 0.013% to overdrive (unweighted)
- Frequency Response:
- Tube
- Solid State 5Hz- > 200kHz +/- 3dB, 5Hz-130kHz +/- 0.5dB
- Gain: +20dB
- Type: Tube (12AX7A) or discrete transistor
- Metering: analog VU output level
- IO: balanced XLR +4dB in and out, -10dB 1/4" TRS out
Physical-
- Size 2RU, 19" x 3.5" x 17"
- Weight 26lb.
- Power requirements 100VAC-240VAC (different fuse for 100V, 115V, and 240V)
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